His work lives at the intersection of Neo-Expressionism and Pop Surrealism — fragmented figures, layered faces, imagined inner worlds. The tension between the engineer and the artist, structure and chaos, is not a contradiction he tries to resolve. It is the engine of everything he makes.
A feeling, a face in the crowd, a memory that won't sit still. He catches it before it runs — quick notes, rough shapes.
Bold shapes on canvas, no tight planning, just live marks. The composition has to feel free and urgent.
Acrylics, collage, glitter, spray, marker. Everything welcome. Happy accidents stay. Colour loud, then refined.
Tiny dots of detail added last — that's when the painting smiles back at him, and he knows it's done.
Working large — underground studio
Painting in progress — studio basement
Detail work — Posca markers
Deep concentration — studio session
Vancouver — taking the work outside
Painting at home — Vancouver